A manifestation for the quasi-public situates the performance's estimation in an active process of degeneration while proposing to see ourselves in the perspectives of our lungs.
[...]
The
smoke
of the cotton factory chimneys became literally the breath of
patriarchy.
The
phantasm
of modernism, the brutality of supremacy.
Now,
they
manifest themselves.
In the air…
The air is wrong. The air is bad. The air is dead.
Dead
air,
hereish and nowish,
how
does
it belong to me?
Imagine,
virtually you are attached to the endurance of the otherwise.
The
breathing
in this breathing performance is the object of added value.
Dead air is the context.
The air will not accumulate, nor reproduce itself, nor be air-conditioned.
It
will
be scorching.
Excerpt of a text by Stefanie Knobel.
Soundsources: a heavy, heavy duty(2016)
Performances:
10.6.2018
6.
Moscow International Biennale for Young Art/The School of the End of
Time, Moscow (RU)
15.6.2018
Living
Room, Pro Helvetia at Art Basel, Basel (CH)
4.10.2018
my
grammar is your(s)?, On Curating Project Space Zurich, (CH)
06.01.2019
Aargauer
Kunsthaus, Aarau (CH)
05.05.2019
Digital
Ecologies, Fold II, Ancient Bath, Centre of Contemporary Art, Plovdiv
(BL)
Fotos:
On Curating Project Space, Aargauer Kunsthaus
