A manifestation for the quasi-public situates the performance's estimation in an active process of degeneration while proposing to see ourselves in the perspectives of our lungs.
Text by Stefanie Knobel with excerpts in French and English language by Georgia Bataille, La Critique Sociale (1933/34).
Soundsources: a heavy, heavy duty(2016)
Moscow International Biennale for Young Art/The School of the End of
Time, Moscow (RU)
Room, Pro Helvetia at Art Basel, Basel (CH)
grammar is your(s)?, On Curating Project Space Zurich, (CH)
Fotos: Miwa Negoro & 6. Moscow Biennale for Young Art/The School of the Ende of Time